The Civil War Essays (1425 words) - History Of The United States

The Civil War The Civil War lasted 5 years, took 600,000 lives and yet there exists doubt in what is the main reason behind it. I myself feel that the major issue that triggered the war was slavery, which for the South threatened economy. I am going to discuss how issues of slavery existed before the war, how it was in the minds of soldiers during the war, and then still existed after the war. The North favored a loose interpretation of the United States Constitution, they wanted to grant the Federal Government increased powers. The South on the other hand wanted to reserve all undefined powers to the individual states. The North wanted improvements such as more railroads, canals, and roads to be sponsored by the Federal Government, while the South did not want any of these projects to even be taken into consideration. The North and the South had deep economic, social, and political differences. Even though all these reasons existed for them wanting to succeed from the North, I believe the main reason was slavery. The South not only wanted but they needed slavery, for it was the basis of their economy. The labor force in the South was made up of about four million slaves. These slaves cultivated tobacco, rice, and indigo, they were also in high demand because of the invention of the cotton gin which required growing more cotton than ever before. The North, being Pro Abolit ion had denounced the immoral institution of slavery. The Norths opposing views led to attack on the system of the South and showed opposition to slaverys spreading into new territories. Because it was difficult to decided what the status of states would be the North took action and passed the Missouri Comprimise. This comprimise stated that the status of a state of free or slave would depend if it was above or below 36 degree Latitude. States above the line would be free states and states south of that point would be Slave states. This Compromise created a balance of 11 free states and 11 slave states, it settled conflicts between the North and the South for almost a generation. This all changed when Mexico had been admitted into the Union and people began getting upset. Many compromises were created but they proved to be unsuccessful they resulted in gradual intensification of hostility between the free and slave states. In 1854, another law was passed it was the Kansas and Nebraska Act, which repealed the Missouri Compromise. This ne w Act stated that inhabitants of territories should decide for themselves the legability of slave holding which was known as Popular Sovereignty. This was yet another failure as people began to take matters into their own hands and violence was highly present. The last main conflict came with the election of Lincoln in 1860. Lincoln was a moderate, he stood in the center not really having a problem with slavery. He did though hope that slavery would die out and he was some what opposed to the expansion of slavery. The South felt that expansion was threatened and because the expansion of slavery was vital to the survival of slavery they felt their way of life was being threatened. That was what finally drove the southerners off the ledge. The South hoped that succession would pose a threat and would force the Union to accept southern demands, but unfortunately for them it did not. They had all they were going to have finally on December 20, 1860 South Carolina adopted an ordinance of succession, other states followed and by February 4th of the next year delegates from all those states met in Montgomery and drafted a Constitution for the Confederates states of America. This outraged the North and led to the Civil War. It is obvious that all the issues that brought on the war were concerned with slavery, one way or another. In the book Killer Angels one learns what is going through the minds of the soldiers. The book includes a part where we see what America means to a Colonel of the North and why he feels he is fighting in the war. We also get knowledge of what the Southerners feel

Understanding Different Learning Styles in the Workplace

Understanding Different Learning Styles in the Workplace Thanks to Ron Gross for sharing this piece from his book Peak Learning: How to Create Your Own Lifelong Education Program for Personal Enlightenment and Professional Success. In the world of work, there is widening recognition of the need to capitalize on different learning styles within organizations. According to Dudley Lynch, in Your High Performance Business Brain, we can use this powerful new way of understanding people to design better organizations, ... do a more effective and productive job of hiring and placing people, and to frame our management messages so that they can penetrate the natural filters of the mind. That means you should be able to measure how well your learning style fits the tasks that compose your present job. You should also be able to recognize the styles of others, which will make for better communications. Understanding Your Style In a workshop, we illustrate this by forming a hemispheric circle. All the participants seat themselves in a semicircle so that each persons position reflects his or her degree of preference for either the stringer or the grouper style of learning. Those on the left side of the semicircle prefer to learn in a step-by-step, analytical, systematic way. Those on the right prefer a holistic, top-down, big-picture approach. Then, we talk about how these two kinds of people can best explain things to each other or convey new information. Hold on, now, one of the left-side folks will say. Id really prefer it if you could start out by giving me some basic examples of what youre talking about. You seem to be all over the map instead of starting with first things first. But the next minute someone from the right side will complain, Hey, I cant see the forest for all those trees youre throwing at me. Could we wrench ourselves up out of the details and get an overview of the subject? Whats the point? Where are we headed? Often partnerships are profitably forged out of two individuals who complement each others styles. In my workshops, we often see two people who work closely together take seats on opposite ends of the hemispheric circle. In one case, a couple in the fashion business found themselves in those places. It turned out that one of them was the idea person and the other, the financial wizard. Together they made a dynamic duo indeed. Teamwork Creating teams to work together or to solve problems is an important area in which an awareness of styles can assure greater success. Some highly technical problems call for team members who all share the same way of processing information, seeking new facts, interpreting evidence, and coming to conclusions. A narrow fact-finding or problem-solving assignment, such as determining how to expedite the passage of orders through the billing department, might be such a situation. In other situations, however, your success may depend on having the right mix of styles. You may need one or two people who take the top-down, broad view together with others who like to work systematically and logically. Creating a plan for the next years activities would be a task that could benefit from this mix of approaches. Recognizing Relationships With Superiors Another area in which styles of learning and thinking can crucially affect the success of individuals or organizations is boss-employee relations. This typical situation occurs every day in business and industry: a supervisor will complain that a new worker cant seem to learn a routine task. When the suggestion is made that the newcomer might learn it if shown it move by move, the supervisor - clearly a grouper rather than a stringer - expresses dismay, exclaiming, I never give instructions that way. It would be insulting and patronizing - anyone can pick it up if they really want to. Such conflict based on differences in style can extend right up to the executive suite. In their book, Type Talk, management consultants Otto Kroeger and Janet Thuesen tell how they helped straighten out troubled organizations by analyzing the disparities among the styles of the managers and executives involved. They even suggest developing a version of the organization chart in which each of the key individuals is identified not by his or her title, but by his or her learning style! Source Gross, Ronald. Peak Learning: How to Create Your Own Lifelong Education Program for Personal Enlightenment and Professional Success. Revised, Subsequent edition, TarcherPerigee, April 5, 1999.

Women of the Black Arts Movement

Women of the Black Arts Movement The Black Arts Movement began in the 1960s and lasted through the 1970s. The movement was founded by Amiri Baraka (Leroi Jones) following the assassination of Malcolm X in 1965. Literary critic Larry Neal argues that the Black Arts Movement was the â€Å"aesthetic and spiritual sister of Black Power.† Like the Harlem Renaissance, the Black Arts Movement was an important literary and artistic movement that influenced African-American thought. During this time period, several African-American publishing companies, theaters, journals, magazines, and institutions were established. The contributions of African-American women during the Black Arts Movement cannot be ignored as many explored themes such as racism, sexism, social class, and capitalism. Sonia Sanchez Wilsonia Benita Driver was born on September 9, 1934, in Birmingham. Following the death of her mother, Sanchez lived with her father in New York City. In 1955, Sanchez earned a bachelor’s in political science from Hunter College (CUNY). As a college student, Sanchez began writing poetry and developed a writer’s workshop in lower Manhattan. Working with Nikki Giovanni, Haki R. Madhubuti, and Etheridge Knight, Sanchez formed the â€Å"Broadside Quartet.† Throughout her career as a writer, Sanchez has published more than 15 collections of poetry including Morning Haiku  (2010); Shake Loose My Skin: New and Selected Poems  (1999); Does Your House Have Lions? (1995); Homegirls Handgrenades  (1984); I’ve Been a Woman: New and Selected Poems  (1978); A Blues Book for Blue Black Magical Women  (1973); Love Poems  (1973); We a BaddDDD People  (1970); and Homecoming  (1969). Sanchez has also published several plays including Black Cats Back and Uneasy Landings  (1995), I’m Black When I’m Singing, I’m Blue When I Ain’t  (1982),  Malcolm Man/Don’t Live Here No Mo’ (1979), Uh Huh: But How Do It Free Us?  (1974), Dirty Hearts ‘72  (1973), The Bronx Is Next  (1970), and  Sister Son/ji  (1969). A children’s book author, Sanchez has written A Sound Investment and Other Stories  (1979), The Adventures of Fat Head, Small Head, and Square Head  (1973), and It’s a New Day: Poems for Young Brothas and Sistuhs  (1971). Sanchez is a retired college professor who resides in Philadelphia. Audre Lorde Writer Joan Martin argues in Black Women Writers (1950-1980): A Critical Evaluation that Audre Lorde’s work â€Å"rings with passion, sincerity, perception, and depth of feeling.† Lorde was born in New York City to Caribbean parents. Her first poem was published in Seventeen magazine. Throughout her career, Lorde published in several collections including  New York Head Shop and Museum  (1974),  Coal  (1976),  and The Black Unicorn (1978). Her poetry often reveals themes dealing with love, and lesbian relationships. As a self-described â€Å"black, lesbian, mother, warrior, poet,† Lorde explores social injustices such as racism, sexism, and homophobia in her poetry and prose. Lorde died in 1992. bell hooks bell hooks was born Gloria Jean Watkins  on September 25, 1952, in Kentucky. Early in her career as a writer, she began using the pen name bell hooks in honor of her maternal great-grandmother, Bell Blair Hooks. Most of hooks’ work explores the connection between race, capitalism, and gender. Through her prose, Hooks argues that gender, race, and capitalism all work together to oppress and dominate people in society. Throughout her career, hooks has published more than thirty books, including the noted Ain’t I a Woman: Black Women and Feminism in 1981. In addition, she has published articles in scholarly journals and mainstream publications. She appears in documentaries and films as well. hooks notes that her greatest influences have been abolitionist Sojourner Truth along with Paulo Freire and Martin Luther King, Jr. hooks is a Distinguished Professor of English at the City College of the City University of New York. Sources Evans, Mari. Black Women Writers (1950-1980): A Critical Evaluation. Paperback, 1 edition, Anchor, August 17, 1984. Hooks, Bell. Ain’t I a Woman: Black Women and Feminism. 2 Edition, Routledge, October 16, 2014.

World hunger Essay Example | Topics and Well Written Essays - 750 words

World hunger - Essay Example In most cases, these conflicts at the end of the day would benefit only a few powerful groups of people who belong to the ruling elite in conflict ridden nations. The majority of people suffer in silence since there is no way they can force their governments to stop funding conflicts instead of buying food. Basically, it was estimated that about 805 million people of the 7.3 billion world population suffered from chronic undernourishment in 2012-2014 and the majority of these people belong to developing countries (FAO, 2012). Apparently, the Center for Research on the Epidemiology of Disasters (CRED, 2013) estimates that conflicts worldwide affected more than 172 million people leading to hunger. According to the statistics presented by CRED, â€Å"Pakistan with 28 million and Nigeria with nearly 19 million had the largest numbers of people affected by conflict.† On the other hand, Libya and Somalia had the highest proportion of people affected by violence which has also led to serious hunger. The other striking thing about the statistics presented above is that the above mentioned countries are solidly behind sponsoring the conflicts in their countries. For instance, the government in Somalia spends a huge chunk of its budget on procuring weapons of war and is constantly engage d in bitter endless conflicts. The majority of people in these countries are hunger stricken and they are undernourished. What is even surprising is that the governments involved in conflicts spend large sums of money buying weapons while the citizens are dying. It appeals to logic that those responsible authorities funding conflicts should prioritize humanitarian needs such as procuring food. In most cases, such conflicts only benefit a few people and they are sponsored using the national budget. Only a few people who are well connected to the ruling elite will immensely benefit from such conflicts often witnessed

Management Service Operation Case Study Example | Topics and Well Written Essays - 3750 words

Management Service Operation - Case Study Example Monitoring of the services rendered and correcting it is an important feedback management technique that needs to be adopted and implemented. The Service Industry that has been taken for analysis purposes is the tourism industry at Pattaya, Thailand. All the aspects of the business management laid out earlier, pertaining to the geographical advantage, facilities and operational management and Human Resources Management are studied during my visit to the location. This is analysed to see whether the theoretical aspects are met by the practical situations in the hospitality and the tourism industry. The extent to which the factors affect the performance of the industry has been studied and presented below. 2. Finance management is a major requirement for any business and this paper studies the methods adopted by the finance management team at the hospitality centre to take care of the issues that might prop up from time to time. 3. Operational Management was studied under the capacity management principles that were employed to take care of the capacities of the location, quality of service and the overall operational management. 4. ... The details of these are presented below. Location and Facility Management The company we are interested in is a resort at the Beaches of Pattaya, Thailand. The resort spans about 4 acres of land facing the ocean front beach called the Dongtan beach. The location is tropical. The hospitality divides the season into three groups rather than two. They call it low, high and peak. The low season is between May 1 and Oct 31. The High is between Feb 15 and April 30 while the peak season is between Dec 20 and Feb 14. There is a gap of about one and a half months, which is used by the management to do maintenance or any other activity that might be needed to make the resort a better one for the customers to walk in. It is designed as a Thai village Resort with only 45 suites that takes care of every need of the customer. The village resort has three types of cottages or suites. These include forest lane houses, pool cottages with garden showers and suites with Thai showers. All the three of them offer similar basic facilities to the customers. 1. Every suite can be occupied by 2 to 4 people, with 60 to 80 square meters of space for the occupant. 2. Some suites come with full kitchen, refrigerators, ovens, burners, etc., 3. But every one of the rooms inherits the architectural splendours of the past and replicates the Thai heritage themes. The silk, the cotton, the furniture are all hand made from the Thai villages. Many of the original artwork of Thai artisans adorns the rooms (Rabbit Resorts 2007). 4. In some of the cottages, private balconies and gardens are also maintained. Even a garden Thai Shower for a bath in the gardens is possible. 5. The resort also provides a room service like any other would, in addition to the restaurant

Cushy Armchair New Objectives and Rules Essay Example for Free

Cushy Armchair New Objectives and Rules Essay As you know, my name is Alison Sampson. I am the new director of Cushy Armchair. I come from Cabletronica U.S. with the purpose of guiding Cushy Armchair to a new era in this changing industry. We will begin with some small steps, all involving â€Å"greater consolidation† in order to achieve economies of scale and scope. In order to adapt and to be more competitive, we must focus our efforts to reduce cost, speed product design and improve technology transfer. Specifically, we most work in production, design (fabric Style), sales and distribution (advertising), and procurement. Requested Activities †¢To Purchasing Manager: oWorld Furniture’s procurement division In New York, will be responsible to contract all chair glide-mechanisms, as well as fabric orders in excess of HK$35,000. This will help us to reduce our raw material cost. †¢To Marketing Manager: New York advertising specialist will work together with us in launching new advertising campaigns. In this way, we can all share knowledge and come up with the best decision. †¢To Design Manager: New York staff will be included in any substantial design and feature changes. In order to accomplish our ultimate goal of having everything in one place. Conclusion Even though I haven’t yet had the opportunity to meet with almost anyone, I will contact you over the next days to discuss the impact of these policy changes and the changes coming ahead. Do not hesitate to contact me if I have not called you yet. You will receive this MEMO in your native language over the next couple of days. I hope you share my observations and concerns for the future of Cushy Armchair, and I trust you will welcome these changes.

The Longest Memory :: essays research papers

Whitechapel is the focal character of D'Aguiar's novel, The Longest Memory however, the author has used a great many other characters whose stories also stand-alone. Why has D'Aguiar structured his novel in this way and how does it lead the reader to an understanding of the impacts of slavery? D'Aguiar's central purpose is to make us reflect upon American society during the slavery era and to acknowledge its realities so that we understand the capability for evil that exists in society. D'Aguair has used Whitechapel and his memories to encapsulate the brutality and inhumanity of slavery. The succeeding narratives further our understanding of the society and these are presented in a manner that forces the reader to accept D'Aguiar's judgements. The characters represent all of the voices of the society including people from different races, social status's and both genders so that the reader can see the position society imposed upon all citizens. The forms of the individual narratives help us to understand the reality of society because they allow the characters to emerge as individuals, telling their own stories with undisguised honesty. The Longest Memory is told from the oldest to the youngest character showing how society instilled its ideals on each generation in an unc ompromising manner and so the stories overlap and intertwine, to illustrate this D'Aguiar has used an overwhelming tone of sadness and despair to emphasise the negative feelings that society created. Whitechapel's narrative focuses on the symbolism of seeing; the reason for this is to give the reader a sense of the extent to which society enforced its beliefs upon people and how much it effected them. Whitechapel has lived a very long time and has finally realized the truth about his enslavement and the extent to which he is dehumanized; this is emphasized by his regretful tone and demonstrates his disgust. The dehumanisation that has occurred is over his philosophies that as a slave he could earn respect through hard work and loyalty; this is rejected when his son is killed. The repetition of the phrase, 'I am nobody'; acknowledges that as a slave the society could not reward his loyalty or hard work because he had no status. Various narratives have been put after each other so that the reader can compare two characters to see the different impacts that society had on them. This Juxtaposition is used to confront the reader with the inhumanity of the views of some characters such as Sanders Senior, the placement of Cook straight after shows that contrary to Sanders seniors disgusting beliefs she is quite human and is dramatically effected by his beliefs, the societies beliefs.

Ratatouille Sound Film Analysis Essay

In all types of film, especially with animation, the images that are created on screen visually engage the audience to the world of the film, yet in order to fully experience all that the film has to offer, the visual aspects are only half of the importance. Sound design makes up that other half of the cinematic experience, and engages senses other than the visual in order to immerse the audience into the film. In Brad Bird’s animated film Ratatouille (2007), sound designer Randy Thom creates a rich sonic world for a film that’s plot is based around a rat who experiences the same senses that humans do. Since a rat usually seems to have no similarities to humans, Thom makes sure to use sound to emphasize Remy and how in his perspective, he is able to relate to the humans, but in the human’s perspective, Remy is still just a rat. Thom’s use of sound in animated film is unique and allows the spectator through the correct use of sound, the ability to perceive the Remy’s exceptional senses of smell and taste, which is are the two most key aspects of cooking in real life and in the film. The sound design combined with the incredible animation of Ratatouille (2007) allows the audience to sensually experience the film as if they were right there in the chaotic kitchen, and feel the authenticity of the location in the culinary capital of the world, Paris. In animated film, especially with Disney and Pixar films, characters that’s are animals are often given human-like features and abilities. In Ratatouille (2007), Remy the rat has the incredible senses of smell and taste, which allow him to fulfill his dream of becoming a chef. This is an idea that is quite contradictory to real life, so director Brad Bird and sound designer Randy Thom do an amazing job of balancing it out by making Remy seem more human like in his perspective, and more like a rat in the human’s perspective. For example, when introduced to Remy, he is the narrator, and we hear is voice as a non-diegetic sound, which allows us to think we are in the mind of Remy. His voice is a man’s voice, and we can assume that he has the full capacity of understanding everything just as a human would. While speaking amongst other rats, the sounds he makes are very similar to that of a human, and he even stands on two feet like one. Yet when we are seeing Remy in the kitchen, and see him  just as one of the people on the kitchen would, the sounds change. The â€Å"pitter-patter† sound of his tiny rat feet is heightened in volume, and each footstep is clearer than before. This emphasis on his footsteps reminds the viewer that while in Remy’s mind he sounds and thinks like a human would, through the perspective of a human in the film, he is still just a scurrying rat. Another example is when Alfredo Linguini is ordered to dispose of the rat, we see Remy and Linguini’s first interaction alone and without any other humans to judge Remy’s ability to understand humans. Through Linguini’s perspective, Remy can hear and understand what he is saying, but he cannot respond with words, only with nods, squeaks, quivering whiskers, and quiet sniffles. These diegetic sounds can be heard clearly even though they are soft and dainty, just like the footsteps. The sniffles are especially important because they represent Remy’s heightened senses, which become an entirely different aspect of the film that is given meaning through sound. In the world of cuisine and cooking, the two senses most frequently used and appreciated are smell a nd taste. The combination of the two can create amazing culinary experiences, and make a meal more than just eating, but a complete sensual experience. One of Thom’s main goals throughout the film was to manipulate pitch, volume, and timbre in order to give the characters their own senses that can reflect from the screen to the audience where they can feel as if they are experiencing the same scents and tastes that Remy is. Just as discussed before, when oberserving Remy in his element of cooking and creating delicious food combinations, the sounds he makes are not only louder and more amplified, but clearer. For example, in the opening scenes of the film, Remy is trying to find food that is good enough quality for his senses unlike the rest of his rat companions who will seem to eat anything that is not covered in poison. He stumbles upon a piece of cheese, and his attention is immediately focused on the smell. His nose become such an iconic symbol in the film, and the sniffing of foods is so well-defined that the audience is able to imagine exactly what that piece of cheese smells like. Since smell has sounds that can be or iented with the nose and sniffling, its is less complicated than trying to portray taste, which has little sound affect since it is completely individual and unique to each person. In order to get the audience to be able to feel the experience of what Remy tastes, director Brad Bird hired artist Michael  Gagne as the Taste Visualization Designer to create a series of animated vignettes that would accompany sound as Remy tastes certain foods. The visuals he created displayed colorful animated graphics for the taste of cheese and strawberry, and then a mixture of the two tastes. The visuals work very well with the two foods, but can only do so much when it comes to stimulating the audience’s senses. The rest of the work comes to Randy Thom and the rest of his sound design team to create sounds that will perfectly accompany the graphics to create a complete sense of taste. Thom uses different segments of music that seems to work perfectly with each food. When Remy takes the bite of cheese, smooth, creamy-like music plays, yet with the strawberry a louder more vivacious tune is heard. Then as Remy takes a bite of each at the same time, a firework of sounds occurs to compare to Remy’s taste bud explosion. This blend of graphics and music creates a sensual experience that leave the audience imagining exactly what Remy tastes. When thinking of Paris, France, common words to come to most minds are fancy, sophisticated, and romantic. Since these words are such a huge part of the vibe of the city, Randy Thom wanted to make sure that the sounds of the film really gave the audience the authenticity of the setting, and reflect the character of Paris. Aside from authentic French accents in many of the main character’s voices, especially the chef’s, Thom incorporates orchestrated music that would be heard in the city, and even background mumbling of actual French speaking people. In the background of most parts of the restaurant, Thom had murmurings of people actually speaking French and having real conversation to make the background noise more authentic to the setting. Along with the setting of the film, most fancy five-star restaurants the vibe most guests want to feel is calm and sophisticated. This is the opposite of what is usually going on behind the scenes in the restaurant’s kitchen. The kitchen is where the magic happens, and where the culinary art form comes to life. The tools that create the food are just as important as the ingredients, and the act of cooking requires many tools and utensils. In the film, Thom really emphasizes the sounds of these utensils, which makes the cooking easy to accept as real since the sounds are so accurate to a real life kitchen. The clinking of pots and pans is especially noticeable in the kitchen, and the pitch is a lot higher than other noises in the kitchen. The pots, pans, and utensils  are such an impo rtant part of the kitchen, and allow the spectator to relate to the sounds by noticing how many different meals are cooked at once in the kitchen. In an interview with Randy Thom, he explains that almost all of the sounds from the kitchen were composed from scratch by his design team and were individually created by recording the real life actions in the kitchen and putting them into the animation. Another aspect of the kitchen that seems to be especially emphasized through sound is the blending of foods, especially liquids. Thom differentiates between the sound effects of a pot of just plain water and a pot of creamy soup. The pot of water, when Remy falls into it, the sound is at first a loud splash, and then a very clear and fluid underwater noise. Yet when Remy is cooking his own special soup, he puts together multiple ingredients, dropping them into the boiling pot of broth. The sound of dense objects hitting the soup is so accurate and sounds more like a â€Å"plop† rather than a splash. While the sound of mixed ingredients may seem insignificant to the films overall affect, these sounds allow the audience to under stand the consistency of the food and imagine the texture that goes with it. Once again, the senses are being put to use without even noticing it, which Thom really put effort into doing with this film since the whole plot is based around food. In an interview with Randy Thom, he explained that while most people assume that image is created and then sound is later added to spruce it up, he finds that to be a myth worth busting. He feels that sound is just as important of a component as image, and if anything adds more life to the film than image does. Sound allows the audience to relate to the sounds they hear in the film to the sounds they hear in real life. These connections make it easier for the spectator to understand the emotions and themes being laid out and therefore they can better understand the film as a whole. With a film such as Ratatouille (2007), it seems difficult for the audience to relate to a rat who can cook, so Brad Bird and Randy Thom worked together to create a masterpiece that can continue to display the incredible animation yet through sound allow the audience to relate to not just the emotions, but the senses from the film. Through creative construction and extremely close attention to detail, the sound design of Ratatouille (2007) will leave viewers in a rich experience that will literally leave their mouths watering. Annotated Bibliography Barsam, Richard, and Dave Monahan. Looking at Movies; an Introduction to Film. Third Edition. New York: W.W. Norton & Company, 2010. 368-407. Print. Barsam and Monahan cover all aspects of the world of sound design from the purpose of sound in film to how it is created, and to how it affects the audience. When spectators are experiencing a film, if engaged properly, they use both senses of hearing and vision to perceive what is happening on the screen. Without one or the other, the film lacks proper perception from the audience, which is the whole point of the film. Barsam and Monahan spend a great amount of effort explaining the basic concept of sound in film, and analyze the different characteristics that audio has. Sound is an especially complex field because it decorates the images on screen, and heightens the experience visually through audio. The process of sound design consists of carefully choosing and recording sounds, editing those sounds, and then masterfully mixing them so that they can perfectly synchronize with what is visually seen on the screen. The main types of sound that the audience will experience during a film are vocal sounds and dialogue, sounds from the environment and world of the film (also known as diegetic sounds), music, and silence, which is actually the lack of sound yet still adds so much meaning and emotion to an on screen image. Sound in film intensifies the image and in most cases allows the audience to relate to the world of the film and be aware of both space and time within the means of the world of the film. Simple alterations in sounds from the pitch, amplitude, or volume of the noise can completely change or alter the audience’s perception of what is happening in the film. By the end of Barsam and Monahan’s chapter about sound design, the reader can understand most all aspects of sound in film, and how each characteristic is taken into account when being put into a film in order to fully allow the spectator to experience the film both on a visual and audible level. Sider, Larry. â€Å"If you wish to see, listen; The role of sound design.† Journal of Media Practice 4.1 (2003): 5-15. Through in depth analysis and argument, Sider creates an article that  explains the great importance of sound in film, and how when combined with visual elements, allows the spectator to fully engage and understand the film on a deeper level than just watching a screen. Sider explains how the industry, technology, and use of sound in film had changed from when the â€Å"sound designer† was created in the 1960’s by Walter Murch. Back then, sound was simply an added affect to film, whereas now sound completely creates another dimension to cinema. Sound and music make the image on screen multi-faceted and add not only emotion, but completely changes the picture just by adding an audio. On the other side of sound design, Sider shows the difficulties with creating sound in film. The sound designer not only has to know and understand the sounds in which we all hear, but they must completely understand the sounds from the world of the film they are working on. Knowing every diegetic and non-diegetic sound of the film’s story is complex yet engages the spectator more than they will ever realize. The job of the sound designer is not just to control and input dialogue into a film, but control and create every sound effect and somehow integrate it into the life of the film, not the other way around. Sider effectively explains how complex the job of a sound designer has become, and how their work engages the viewer on a new level, and gives the image life. Thom, Randy. Interviewed by Jake Riehle. â€Å"Ratatouille-Exclusive Interview with Sound Designer Randy Thom†. Designing Sound; Art and Technique of Sound Design. 26 June 2007. Web. 2011. Sound editor and mixer Jake Reihle interviews the well known sound designer Randy Thom to learn about his recent work on the animated film, Ratatouille (2007). Thom specializes in sound design within animated films, and in recent years won the Academy Award for best sound editing in the Pixar animated film The Incredibles(2004). Riehle asks Thom what aspects of sound design in animated film differ from live-action films, and the heightened amount of detail to sound is what Thom described as a main difference. In Ratatouille (2007) specifically, there are so many details within the sounds that all together create a different affect than expected. For example, when the wind is blowing through the underground sewer pipes, each wind sound is different, but together the sounds created a musical essence that worked extremely well with the mood of Ratatouille himself, and gave life to the rigid and cold  nature of the underground world that the rats live in. Another major difference between animated sound and live on-screen sound is the pace and rate at which Thom does his work. In the early stages of work, he notices that animated films tend to lack music and sound effects and focus more upon dialogue to set up the story, but Thom likes to make space to add music in a useful way in which the effects and music add to the dialogue, not take away from the dialogue. Reihle also goes into the stages in which Thom likes to mix and edit his sound effects, and how the budgeting of animated films differs from live action films. An interesting fact, Thom began his career at Skywalker Sound by writing a personal essay to Walker Murch, the man who is said to have invented the â€Å"sound designer†. Reihle’s interview with the sound designer Randy Thom gives very useful information on comparing and analyzing the differences of sound design within animated films and live-action films. Thom, Randy. â€Å"Designing A Movie For Sound†. Learning Space Dedicated to the Art and Analyses of Film Sound Design. 1999. Web. 2011 Academy Award winning sound designer Randy Thom provides readers with an article about the subject he knows best, sound in film. He defines exactly what sound design is, describes what it really is that he does, and crushes myths and ideas that many people have about film sound designers. Thom argues that what most people think passes as â€Å"great sound† in film is loud, boisterous noises, which is definitely not always, and rarely true through the opinion of a sound designer. Thom believes that truly great sounds in film are well orchestrated and are integrated into the film as a whole, rather than just into specific scenes and moments during the film. This creates a better sense of continuity and fluidity within the sounds of the film. Thom feels that rather than create a film and then hire a talented team to fabricate certain sounds, the film should be designed and created with the sounds in mind. The story, images and sound should be created and built simultaneously so that the sound contributions can affect the other aspects of the film and add even more continuity. Every aspect of film, even the cinematography, affects how sound works, and its purpose. From extreme close-ups to dutch angles and moving cameras, sound has a different role in every shot, whether it is music, dialogue, background noise, or even  silence. The author also describes in detail each step of how sound designers, composers, and sound editors go about creating their work within each stage of the production process including pre-production and post-production. Randy Thom is an extremely well-known film sound designer, and his personal insight into the world of sound design is eye opening and fresh. He explains the ideas of sound in film on both a basic and deep level while questioning many ideas and myths that are believed about the sound design world today.

Asylum Seekers

Imagine you live in a country with an oppressive government and even worse your enthnic group is being persecuted by that government, would you not want to leave even if it means selling all your possessions? This is a scenario faced by thousands of people every year who are classed as asylum seekers. Brindha, the 9 year old Tamil asylum seeker who on a crowded boat off the Indonesian coast, made a heartbreaking plea to Australian journalists to please save them, the prime minister delivered a cold reply: â€Å"I make absolutely no apology whatsoever for taking a hard line on illegal immigration to Australia. The 253 asylum seekers – not illegal immigrants – on that boat had sacrificed everything they had to make a desperate bid for safety from the systematic slaughter being wrought on them by the Sri Lankan government. They are fleeing a situation where the Sri Lankan government is killing 1400 a week of the 300,000 detained in concentration camps. This is a horror that drives people to flee with nothing other than the clothes on their back, is what politicians and media have taken to calling a â€Å"push factor. There is absolutely nothing illegal about seeking asylum, about arriving without authorisation or papers, or about coming by unregistered boats as long as there is a legitimate reason states the United Nations. However the Australian Government still labels them illegal immigrants and places them in Detention Centres which in most cases results in the emotional and psychological damage to a refugee. In 2002, the Medical Journal of Australia described the extreme psychological and emotional damage done to people detained in immigration detention in Australia. The pattern they describe includes â€Å"the development of a psychological state characterised by severe depression, despair, hopelessness, paranoia, chronic rage, persecutory delusions, sub-syndromal psychosis, characterological change and persistent self harming behaviour†. In their sample, â€Å"all but one of the detained asylum seekers displayed symptoms of psychological distress at some time during their period of detention†. Eighty-five per cent had â€Å"chronic depressive symptoms† and sixty-five per cent had â€Å"pronounced ongoing suicidal ideation†. Refugees should not have to stay in conditions conducive to mental disorders and suicidal tendencies. If the Australian government wishes to fix the problem they should fix detention centres, make the facilities more humane and turn off the electric fence,( The electric fences around such centres are more harmful than that of Auschwitz concentration camp). The government should also provide faster processing of refugees so these people are not subjected to what is incarceration with committing a crime. In 2002 protesters tore down the fences of Woomera Detention Centre, assisting people inside to make a courageous and inspiring breakout. They would not hesitate to do it again. Asylum seeking is an issue that cuts right to the heart of everything that’s rotten and inhumane about capitalism – its racism, its hypocrisy, its brutality and its utter contempt for humanity. We should all stand firmly for the rights of asylum seekers.

The Caste System- Reaction Response Essays

The Caste System- Reaction Response Essays The Caste System- Reaction Response Paper The Caste System- Reaction Response Paper This division in Indian society has existed since time immemorial . This Verna System is the Caste System that is still prevalent n the country . It categorizes the work to be done by each This system is prevalent largely among Hindus , but exists among other religious communities in India as well . Brahmins are considered the highest caste . They are predominantly vegetarians , who are assigned role of priests , teachers or scholars . They enjoy many benefits . Children of these families are expected to Join family profession . Ashtrays were kings and warriors in olden times , presently they are In multifarious professions . Visas , remained traders from the beginning of this Verna dolls , and are soul Into trading . The fourth are the Shudders , who make the serving class In Indian society The Shudders are the fourth and most neglected caste in India . They are also known as Dalais (the down trodden ) and termed Harridans (people belonging to god ) by Mahatma Gandhi . They lead a difficult life , without education and are not allowed to change occupation . The work assigned to them is often unhygienic , contaminating and unhealthy . They are not allowed to enter temples and worship . Even basic amenities like collection of drinking water has to be from wells or taps which are not used by people from higher castes like Brahmins There re divisions in Dalai society too . The Ana (Barber , Dhobi (Washer man ) stand higher than Chamber (Cobbler ) or Bang (Sweeper . They are not allowed entry to places in the village where people of higher castes live . Thus they live a very hard and harsh life The Modern society lives with these differentiations and use special terms for these people . They are called Scheduled Castes (SC , Scheduled tribes (SST ) or Other Backward Classes (BBC . The SC is 16 of the population making it 160 million . SST is 8 at million and BBC is 52 with 3000 castes . The caste system has taken the present arm after the British took over the rule of India , in line with the class system of British society The caste system is some what relaxed in urban and metropolitan areas Inter-caste marriages are also common . In arranged marriages , caste of the bride and the groom are cross checked and taken into consideration It is due to influence of higher education that these areas are free of caste rigidity . But rural areas still reel under its effect Political parties and leaders often take caste as an issue , to make it sensitive to meet their ends . The BSP (Bauhaus Assam Party , Swampland Party , Kanata Deal are a few political parties that pampered the caste sentiments and succeeded In winning the elections . Reservations in education and politics have been made by these pollutants leading to wide spread protests and uproar . Amanda Commission recommended by ex-P . M . Mr. . V -P -Sings tried to Implement ten recommendations Ana Take wee spread Protests It NAS seen many educated boys and girls suffer at the hands of these reservation policies . India has witnessed and is still facing many caste related violence . So many have lost their lives in this violence . It has mainly been between upper castes like Thesaurus and Dalais of lower caste Indian Caste System has been under the scanner of criticism since history . The reformers of Indian society in the past have condemned the caste system . Nanas , Kabuki , Djakarta , Ramadan , Ramadan the saints of Backbit cult rejected caste discrimination . Later during Struggle for Freedom in early 19th century , Indian politicians spoke against caste distinctions . Religious leaders Swami Dandy , Swami Vegetarians , Sir Ramekins and politicians Mahatma Gandhi , B . R . Embarked stood against this discriminating system . They were open to people from all castes B . R . Embarked himself from a family of scheduled caste became the writer of Indian Constitution in Independent India The Indian Caste system exhibits a few strong points . It helped in retaining family business , art work and artisans who have been perusing an art for generations . It made the survival of certain forms of art possible . Yet the anomalies and disadvantages far out weigh the advantages . The need for caste system is gradually moving out . The young India , which is eager to get education and use technology for its prosperity , does not want to embrace sate differences . The educated class living in urban India strongly advocates doing away with caste barriers . But under educated and illiterate rural masses still hold on to the belief of division as a policy , which is beneficial to their interests . Perhaps education for the masses is what India needs today to shake off such old systems . It is never advisable that a part of the society be allowed to live a life that is grossly different from the lives of others on this globe Read more: Nightdresses. Com/essay/caste. System. Essay. 51655#txzz2PSk4zd8S

Synthesis and Electrochemical Characterization of Niobium Pentoxide/Carbon Nanotubes Composites

Synthesis and Electrochemical Characterization of Niobium Pentoxide/Carbon Nanotubes Composites Introduction In the last few years, a range of energy-storage device applications has expanded from portable electronics to large-scale energy storage systems, including renewable energy storage and electric transportation [1,2]. To fulfill the energy and power density requirements for energy applications, many researchers have given attention to the synthesis of nanomaterials based on oxides due to their chemical, physical, optical, and electronic properties [1–4]. In this way, niobium pentoxide (Nb2O5) is a promising candidate because of its semiconductor properties with a band gap of ~3.4 eV, n-type, low toxicity, surface acidity, and good chemical and thermal stabilities [3,5–8]. It has been demonstrated that Nb2O5 can deliver high power through a mainly pseudocapacitive reaction of Li-ion (Li+), which could occur not only at the surface but also in the bulk of the Nb2O5 nanocrystals in non-aqueous Li+ electrolyte [2,9]. Moreover, the intercalation pseudo-capacitive behavior was highly dependent upon the presence of a crystalline structure, where amorphous and pseudo-hexagonal (TT-Nb2O5) exhibited lower specific capacitance values than the orthorhombic (T-Nb2O5) phase, however, nanoparticles aggregation is inevitable due to the high calcination temperature (>600  °C) for the orthorhombic phase formation of Nb2O5 [10–17]. Nonetheless, the application of Nb2O5 has been hampered by low bulk electrical conductivity (~3.4Ãâ€"10-6 S.cm-1 at 300 K) and by the difficult control of the ideal crystal structure [3,10,11]. Therefore, when T-Nb2O5 nanocrystals were fabricated into a relatively thick electrode, the power performance would be limited due to the impaired mobility of electrons. A possible effective method to improve these adversities in Nb2O5 is through of surface modifications (e.g., carbon coating), which could expose more redox active nanoparticles to the electrolyte as well as greatly i mprove the electronic conductivity [1,3,11–13]. It must be noted that the introduction of multiwalled carbon nanotubes (MWCNTs) networks can enhance electron transport of the Nb2O5 and further improve the rate capability. Physical mixing of MWCNTs and Nb2O5 nanoparticles can fabricate composite with improved conductivity, but this type of mixing fails to fulfill a good interfacial interaction between the MWCNTs and Nb2O5 [3]. Wherefore, soft-chemistry methods like oxidant-peroxo method matched with hydrothermal treatment and heating by microwaves could be a promising alternative for niobium synthesis, mainly because it is performed at low temperatures which avoids the elimination of the hydroxyl groups in as-formed surfaces resulting in a material with high surface area and greater number of acid sites [6,18,19]. In addition, carbon materials have a good microwave radiation absorption, which facilitates the interaction with other particles [20]. The use of niobium oxides for energy storage devices is already well known and exploited [21] but its performance is only obtained by a hybrid supercapacitor based on lithium intercalation processes [21] where high values of energy and power density are obtained. These intercalation processes require the application of potentials between 1 to 3 V vs. Li/Li+, a careful and humidity-free assembly scheme and non-aqueous electrolytes [16]. In this work, niobium pentoxide with different structures and morphologies were grown onto the surface of carbon nanotubes were synthesized by MHS. Moreover, we evaluated some electrochemical properties of electrodes with high mass loading on Ni foam current collectors (Fig. 1) using aqueous electrolyte, which brings the material closer to real and practical applications. Methods The acid functionalization on the MWCNTs was performed to create functional groups through a controlled functionalization of the nanotube walls, which allowed the anchoring an d growth of the Nb2O5 nanoparticles. This functionalization is accomplished by exposing the MWCNTs in a concentrated HNO3/H2SO4 (1:3) as described by Goyanes, et al. 2007 [22]. Nb2O5 nanoparticles were synthesized by the microwave-assisted hydrothermal method followed by a heat treatment. The sample preparation started with the dispersion of the 50 mg of functionalized MWCNTs and 100 mg of SDS (1:2) in 100 mL of distilled H2O in an ultrasonic bath. After dispersing, 2 g of (NH4[NbO(C2O4)2(H2O)2] ·nH2O) and 1.6 mL of H2O2 were added under ultrasound frequency. The solution was ultrasonicated continuously for 30 min and then poured into a Teflon vessel reaching about 50% of its volume, the autoclave was sealed and heated in the microwave equipment (Electrolux, MEF41, Brazil). The synthesis was performed with amendments according to Marins, et al., 2017 [23], where the temperature was set at 160  °C during 30 min, under a constant pressure of approximately 6 kgf cm-2 using 2.45 GHz microwave radiation with a maximum output power of 1500 W. Temperature and pressure during synthesis were monitored and controlled with the aid of a shielded thermocouple inserted directly into the vessel and with a pressure transducer sensor connected to the vessel [5]. After cooling at r oom temperature, the obtained powders were washed and centrifuged at 5000 rpm six times with distilled H2O to remove unreacted reagents and surfactant. The washed powder was over dried with no air circulation at 50  °C for 48 h. This sample was identified as CNT+TT-Nb2O5. To obtain the samples under heat treatment, part of the powder was heated in a furnace (FT-1200 1Z, Fortelab, Brazil) at 400  °C for 120 min and 650  °C for 180 min with a heating rate of 10  °C/min under nitrogen atmosphere aiming to get the orthorhombic phase [12,22]. After cooling at room temperature, the powders were stored in an oven with no air circulation at 50  °C and identified as CNT+T-Nb2O5. PVB solution in ethanol was added to the mixture in the electrode preparation. The PVB content in the slurry was 3% of the total mass of Nb2O5 and MWCNTs to each sample. The obtained slurry was used for the impregnation of Ni foam current collectors with area of 1 cm2. The active mass loading was 32 mg cm-2.

Chinese Literature unit paper Essay Example | Topics and Well Written Essays - 500 words

Chinese Literature unit paper - Essay Example During this battle, Cao Cao gave up land along and South of the Yangtze River. This text is not completely accurate because it was written by Chen Shou, an officer for the Shu Han. Once again since the Shu Han was victorious, Shou had a warped view of the Battle of Red Cliff. Although biased, Three Kingdoms: A Historical Novel is what John Woo used to make his movie Red Cliff. This historical account is the official record. No matter what biases Shou had, this is what the Shu Empire recorded at the time. This account makes more sense than The Romance of the Three Kingdoms, so most Chinese accept this account. History cannot always be revealed without the help of historians. Shou created an account that is the most credible. The Romance of the Three Kingdoms can be considered more fiction than fact. In this book is the poem, â€Å"Cao Cao Short Story†. This poem shows Cao Cao in a bad light. The following sums up how the Shu Kingdom felt about Cao Cao. The poem is like Cao Cao is the narrator. The wine before me as I sing: how long can a man’s life last?... How can I banish melancholy?- by Du Kang’s gift of wine†¦ This shows that Cao Cao was not a good leader, but a drunken depressed individual. The Romance of the Three Kingdoms also minimizes the Eastern Wu’s generals. This fanciful account is solely a product of later fictional Shu beliefs. The numbers of the soldiers were increased on Cao Cao’s side and decreased on the Shu side. The Red Cliff Battle will remain elusive in the annals of history.